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Eileen on A Christmas Story - Dec 08
Thanks Dr Mike, love this story, so true! cheers
Eil on Pike River
Thanks for intersting posting. My great grand father was william patrick butler, his son william daniel butler I believe went over to new zealand to work in the mines. I was wondering if your william
Chris on Pike River
William Maher was my Grandfather, my mum was Kath Borkin. So thanks Mike for the information and yes it certainly hit home and our thoughts are with all the people these disasters have effected
Catherine on Pike River
I found this beautiful posting while searching for info on my grandfather - William Maher. Like you in times of disasters like this Pike one you think about your own family. I worked out while reading
Jesse on Pike River
That was really moving Mike. Thank you for giving me a detailed insight into where I'm from, and even though I'm 12000 miles away I'm in the middle of coal-mining country on my mothers side.
Annmaree on Pike River
Beautiful Mike. A great friend of mine, Gary Knowles, is heading up the most recent mine disaster situation and felt the full weight of in some way playing part of the modern day role of William
Gabrielle on Pike River
Mike what a very moving recollection of our history. Beautifully written.
Steve on Pike River
Mike, thanks for providing a vehicle for long dormant feeling of identity and belonging to surface. every time i meet a new person who asks me what part of NZ are you from, I ALWAYS say - I grew up on
Bede on Pike River
...'In a concert of silence' -Lovely turn of phrase Mike. Spoke to a guy last night who stood in Midland park to observe the silence. He said it lasted 5 minutes and was very moving.
John on Pike River
thanks mike. beautifully written. Amazing to see it in black and white becuase over the years its become a part of who we are..our DNA. Coal mining has always been a dangerous occupation.

Guitar Man

I've had a lot of fun lately, writing about my passion: the guitar.  In particular, in a recent newsletter I discussed the challenges of being taught to properly after playing my way (and I don't mean the song) for 35 years.

People have asked me why I bothered (getting lessons that is.  They knew why I'd written the article).  It comes down to a few things that had been niggling away at me.  First, I knew I could be better, and it annoyed me that I wasn't.  Second, teaching myself wasn't working - I didn't have an incentive or a structure, there was no accountability.  And third, I suspected my technique was flawed, but I didn't know how.

So I got myself a teacher, one Danny McCrum.  He's a really good guitarist, but he's an even better teacher.  Mercilessly he points out the flaws in my technique that I'm not even aware of.  I have a way of playing A that is somewhat unique.  He said to me "what's that chord? I don't recognise it."  I explained it was my version of A, to which he gleefully said "ah, it's a bullshit chord!".

He sets difficult exercises for me to learn, but he also fills in the basics that I haven't taught myself  - for example, timing properly as opposed to highly trained guesswork.  

He has ridiculously high expectations of me - he fully expects me to become a human metronome, and I'm still struggling with counting to 4. He won't show me how to play a piece, because playing by imitation is my strength and reading is my weakness, and if I don't work it out for myself I'll never learn to do it properly.

Now that's a coach.

2 September 2010 


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